{"id":242,"date":"2024-12-28T18:29:04","date_gmt":"2024-12-28T18:29:04","guid":{"rendered":"https:\/\/ooh-sounds.com\/?page_id=242"},"modified":"2025-12-07T15:14:28","modified_gmt":"2025-12-07T15:14:28","slug":"artists","status":"publish","type":"page","link":"https:\/\/ooh-sounds.com\/?page_id=242","title":{"rendered":"Artists"},"content":{"rendered":"\n
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Atte Elias Kantonen
[OOH-045<\/a>]<\/p>\n\n\n

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Atte Elias Kantonen is a Helsinki, Finland-based composer, sound artist and sound designer working i in the fifields of experimental
music and performing arts. In his works, Kantonen explores the potential of elastic synthesis and extremely processed sound as
vessels for abstract, phantasmagorical storytelling.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Inspired by the multitude of layers and dichotomies worldbuilding through
sound can contain \u2013 material, chronological, sensorial, notional, imaginal and et-cetera \u2013 he creates compositions where the serene
and the discordant constantly fold on themselves, revealing a sliver of the other.
Kantonen has released music on labels mappa (SK), SODA GONG (US), Superpang (IT) and OOH-Sounds (IT) among others and his
multi-channel compositions have been presented on festivals such as Akousma (CA) and Sonic Acts (NE).<\/p>\n\n\n\n

Atte Elias Kantonen<\/a><\/p>\n\n\n\n

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Calum Builder
[OOH-044<\/a>]<\/p>\n\n\n

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Exploring ideas of immersion and cycles, the music of saxophonist-composer Calum Builder holds both a clarifying stillness and a
zealous, almost religious fervour. He works at the intersections of modern composition and improvised music, across a range of
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Stemming from his practice of a timbral approach to pipe organs, akin to a modular synthesizer, Builder constructed his own (Re)
constructed Pipe Organ \u2014 a dismantled organ consisting of pipes rescued from churches across Northern Denmark. In 2023,
he developed a more portable setup, enabling performances in a wide range of spaces, including the decommissioned Br\u00f8nsh\u00f8j
Water Tower (Copenhagen), Grand Hospice (Brussels), LuisenKirche (Berlin), Marmorkirken (Copenhagen), and other churches\/
venues across Denmark, Germany, Sweden, Belgium and Slovakia.
Originally from Australia, Builder is now based in Copenhagen. From 2020 to 2022, he held an Artistic Position\/Solist at the Rytmisk
Musikkonservatorium, where he worked on his improvisational and compositional methods using cyclic and spiral structures. His
album Messe (You Are Where You Need to Be) received critical acclaim, garnering a coveted six hearts in Politiken and a nomination
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Calum Builder<\/a><\/p>\n\n\n\n

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Riccardo La Foresta
[OOH-042<\/a>]<\/p>\n\n\n

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Riccardo La Foresta is a sound artist, drummer and composer from Modena, Italy whose artistic production has revealed
a variety of sound-related practices.
Since 2015, he has been dedicated to developing the drummophone, an aerophone instrument that creates acoustic
drones, ancestral melodies and complex beats using airflow (both breath and compressed air) to sound drum skins.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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At the same time, he creates site-specific performances, sound sculptures and installations without limiting his work to
percussive-based approaches. La Foresta intensely toured Europe playing experimental music, free jazz, composed music and presenting sound installations in festival such as: Unsound, CTM (Berghain), Terraforma, Sonica, OSA, Skanu Mesz, Caf\u00e8 Oto, Sacrum
Profanum, Sonica, LisboaSoa, LOST, RoBOt, UH, AngelicA, Tempo Reale, La Digestion, Musica Sanae, Romaeuropa to only name a few.
He released music on Subtext recordings, Kohlhaas, Superpang, Yerevan Tapes and collaborated with a wide range of artists, from electronic musician like James Ginzburg and FIS to instrumentalists like John Butcher, Stefano Battaglia, Chris Corsano, Massimo Pupillo, Axel D\u00f6rner among many others, and he plays drums in the band Sulla Lingua with
Anthony Pateras and Stefano Pilia. La Foresta has been a Shape Platform artist of 2021 and also works as music curator in Modena for NODE festival in Modena and for an artistic residency program at La Torre.<\/p>\n\n\n\n

Riccardo La Foresta<\/a><\/p>\n\n\n\n

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nobile
[OOH-041]<\/a><\/p>\n\n\n

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Matteo Nobile a.k.a. \u2018nobile\u2019 (born 1983, lives and works in Milan) is a musician and sound artist whose research investigates the emotional sphere of sound – and its absence – through a nostalgic and remote imagery made of music and introspective narratives. \u2028<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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His works range from individual ambient projects to collaborations with other artists. These include the audio \/ video project “Bellagio Bellagio” with visual artist Natalia Trejbalova, the voice-centred project with artist Francesca Flora, the collective folk research with the group \u00c0O L\u00cc W\u01cd, the hardcore\/punk band Spirito di Lupo.<\/p>\n\n\n\n

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Jasmine Guffond
[OOH-040]<\/a><\/p>\n\n\n

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Jasmine Guffond is an artist and composer working at the interface of social, political and technical infrastructures. Her practice spans live performance, recording, sound installation and custom made browser add-on. Through the sonification of data she addresses the potential of sound to engage with contemporary political questions and engages listening as a situated knowledge practice.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Interested in providing an audible presence for phenomena that lies beyond human perception, via the sonification of facial recognition algorithms, global networks, or Internet tracking cookies she questions what it means for our personal habits to be traceable, and for our identities, choices and personalities to be reduced to streams of data.<\/p>\n\n\n\n

Jasmine has exhibited internationally including composing sound for Shulea Cheang\u2019s installation at the Taiwanese Pavilion, Venice Biennale, 2019, and collaborating with Zorka Wollny on a sound installation for the Chicago Architecture Biennal, 2019. She completed her Sound Studies masters at the University der K\u00fcnste in 2015, received the \u2018Working Grant for New Music und Sound Art\u2019 from the Berlin Senate in 2016 & 2021, was featured in Wire magazine in 2019 and interviewed for \u2018Listen to Lists\u2019 a publication by Haus der Kulturen der Welt and Spector Books, 2021. She has performed live internationally at electronic music and art festivals including opening for CTM festival in 2020 and a commissioned work for the Groupe de Recherches Musicales (GRM) Acousmonium, premiered in Paris at Pr\u00e9sences \u00c9lectronique in 2022. Intuitively exploring abstract sounds as well as referencing traditional musical structures, she has released solo records to critical acclaim with the Sonic Pieces (2015, 2017), Karl Records (2018) and Editions Mego (2020) labels. In 2021 Dr. Jasmine Guffond completed her PhD at the University of New South Wales Art, Design & Architecture department, where she conducted research into sound as a method of investigation into online surveillance cultures. She teaches casually at the Sound Studies and Sonic Arts masters program at the UdK in Berlin.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n<\/div>\n\n\n

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Plethor X
[OOH-039]<\/a><\/p>\n\n\n

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Plethor X is an artistic and musical duo consisting of sound designer Giovanni Isgr\u00f2 and multidisciplinary artist Jermay Michael Gabriel, both based in Milan. The collaboration spans a plurality of artistic practices, and debut with \u2018What You Mean\u2019, their first album. Plethor X was born as a form of complicity rather than an alliance. A possibility to imagine, through music, anti-hegemonic horizons in constant dialogue. There is no liberation in visibility or representation, unless one wishes to be tokenized or fetishised.ce.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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more eaze
[OOH-038B]<\/a> [OOH-031]<\/a> [<\/a>OOH-038B]<\/a><\/p>\n\n\n

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more eaze <\/strong>is the project of Austin-based sound artist and multi-instrumentalist Mari Maurice. Ranging from ambient pop to deconstructed sound collage, her numerous solo and collaborative releases weave mundane, everyday sounds into adventurous textural compositions. Her music explores themes of intimacy, yearning, and the transformation of abstract feeling into intense living through sound design that moves seamlessly between the banal and the ethereal.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Glass
[OOH-038B]<\/a> [OOH-021]<\/a> [OOH-021x]<\/a><\/p>\n\n\n

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Glass is an experimental electronic music duo from France. Their work spans from heavy percussive sound designs to refine and fragile sonic environments. A rich sonic palette echoing the intricacy of our contemporary condition, torn between mass entertainment, political violence and self expression. They released music via Comic Sans Records, OOH-sounds, Sant\u00e9 Records, SFX and Loose Lips, and collaborate with artists such as Maoupa Mazzochetti, Lorem, Lucia Bertazzo, Carin Kelly. Glass run a bimonthly residency on LYL radio.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Shit & Shine
[OOH-037]<\/a> [OOH-017]<\/a><\/p>\n\n\n

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Shit and Shine <\/strong>is an experimental music project based in Austin, Texas. Formed in 2004 by bandleader Craig Clouse, its percussion-driven sound mixes noise with electronics. Clouse is the only consistent member, with an ever-rotating line-up of musicians.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Craig Clouse has devoted the past several decades to exploring a wide range of avant-garde avenues for his brainchild Shit & Shine. The monolithic riffs of raw and powerful psych\u2019n\u2019roll hysteria, the freeform dance miasma, sub-heavy electronica and the blissful stupidity crafted for ecstatic ascension: all perfectly-placed in the idiosyncratic world of Shit & Shine.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n<\/div>\n\n\n

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Dylan Henner
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Deep ambient loops, gently unfolding arpeggios, and angelic choirs coexist on the captivating pieces of music made by Dylan Henner. Rather than aiming for the uncanny valley of hybrid electronics, Henner achieves a delicate balance between his various sound sources, resulting in sublime music that raises existential questions, while comforting its listeners.s.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Dania
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Baghdad-born Dania Shihab is a musician balancing her time between saving lives in rural Australia as an emergency doctor and working on creative projects in her home studio in Barcelona.<\/p>\n\n\n\n

Running Paralaxe Editions since 2014, her practice intertwines contemplative ambient loops with abstract vocal expressions with the greatest kind of sensitivity.\u00a0<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Rupert Clervaux
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Rupert Clervaux is an experimental musician, writer, audio engineer and DJ, based in Mallorca and London. He was a founder member of Sian Alice Group (2007-2012), and since then has collaborated on numerous projects with, amongst others, Beatrice Dillon, Ben Vince, Zo\u00eb Mc Pherson, Spring Heel Jack, About Group, the Radiophonic Workshop and Dania.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Nick Malkin
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Rupert Clervaux is an experimental musician, writer, audio engineer and DJ, based in Mallorca and London. He was a founder member of Sian Alice Group (2007-2012), and since then has collaborated on numerous projects with, amongst others, Beatrice Dillon, Ben Vince, Zo\u00eb Mc Pherson, Spring Heel Jack, About Group, the Radiophonic Workshop and Dania.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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unperson [aka Losssy]
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Born and bred in Sheffield, rising producer unperson is attuned to the sonic lineage of the Steel City, yet his work is anything but nostalgic. His music glides through the various corners of the Hardcore Continuum, breathing new life into a variety of electronic music styles with a forward-thinking flair.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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Previous releases have been supported by the likes of Zuli, Call Super, Aya and Zo\u00eb Mc Pherson – all masters of weaving conceptual elements into club production. SpiritualTM <\/em>sees unperson take a bold step out of the misty corners of the club, offering a long-form, experimental piece that explores the sonic worlds of corporate mindfulness. With this hypnotising collage of electroacoustic sonics, unperson continues to mark out a unique and versatile path, unafraid of switching things up. The multi-channel installation version of the work was premiered at The Rag Gallery, Manchester.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n<\/div>\n\n\n

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XDCVR_
[OOH-033]<\/a> [OOH-0<\/a>18<\/a>]<\/a><\/p>\n\n\n

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New Orleans based anarcho-mountaineer, goretex voyer, visual artist, director and electronic producer XDCVR_ looks down\u00a0into\u00a0the acid depths of digital hyperreality, torturing FM synthesis into abstract sonic expressionism.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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WE\u023d\u221dKER
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WE\u023d\u221dKER (pronounced \u201cWET LOCKER\u201d) is a collaborative project from Messrs Guillaume Dujat and Joe Beedles. Presenting gummied computer music through shimmering spongiform corridors, jagged rips of discord and rib-shaking bass weight.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n\n

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A\/N [aka Apollo Noir]
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French artist and producer Remi Sauzedde (aka Apollo Noir, A\/N) spent his juvenile years between the black woods of his motherland Auvergne and the rehearsal cave
of his hardcore punk band.
Now, thanks to a refined transversal culture and an accumulation of analogue synths which helped him to achieve his ambitions, he is performing a unique and hybrid form of electronic music.
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Remi has released his music through Tigersushi, Sante ‘Records and has been part of the SHAPE platform program for 2021 with a transmedial project in collaboration with Thomas Pons.<\/p>\n\n\n\t\t\t\n\t\t\t\t…\n\t\t\t<\/a>\n\t\t<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Wesqk Coast
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By fusing fourth world, multi-instrumentalism and contemporary electronica into an archaeofuturistic experience, WESQK COAST <\/strong>experiments with practices of ‘sound resistance’.
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Synalegg
[OOH-030]<\/a> [<\/a>OOH-030]<\/a><\/p>\n\n\n

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Synalegg is a French electronic musician who explores sound matter by designing his own digital tools. He mainly uses Puredata software to build musical environments that combine algorithmic sequencing, granular synthesis, sound and visual data processing. His signature sound of eroded rhythm, scratched texture and vertiginous sequencing is the result of an arduous chain of destruction and reconstruction.
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yab; yvanko
[OOH-027]<\/a><\/p>\n\n\n

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Immersively intricate, subaquatic synthesis from France\u2019s Yvan Tekoutcheff (Yvanko) and Simon Lehmans (Yab), swimming in heady, imaginary dimensions.
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Scott Young
[OOH-026]<\/a><\/p>\n\n\n

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Born and raised in Hong Kong producer Scott Young practises deconstruction and the art of \u2018unlearning<\/em>\u2019. Unerringly raw yet mature, Young\u2019s music evolves as an organic cycle, encompassing spry, cerebral, dub- inflected dynamics. Full of duality and enterprise, never conclusive.
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GEORGIA
[OOH-025]<\/a><\/p>\n\n\n

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Georgia are Justin Tripp and Brian Close – and they make music, videos, films and performances from their base in Chinatown, New York. They cast their stylistic net far and wide to achieve a lushly syncretic fusion of myriad genres and outernational vibes, a deeply respectful sort of 4.1 world music, if you will.
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Atte Elias Kantonen[OOH-045] Calum Builder[OOH-044] Riccardo La Foresta[OOH-042] nobile [OOH-041] Jasmine Guffond[OOH-040] Plethor X[OOH-039] more eaze[OOH-038B] [OOH-031] [OOH-038B] Glass[OOH-038B] [OOH-021] [OOH-021x] Shit & Shine[OOH-037] [OOH-017] Dylan Henner[OOH-036] Dania[OOH-038] Rupert Clervaux[OOH-038] Nick Malkin[OOH-035] unperson [aka Losssy][OOH-034] XDCVR_[OOH-033] [OOH-018] WE\u023d\u221dKER[OOH-033] A\/N [aka Apollo Noir][OOH-029] Wesqk Coast[OOH-028] [OOH-011] Synalegg[OOH-030] [OOH-030] yab; yvanko[OOH-027] Scott Young[OOH-026] GEORGIA[OOH-025]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-242","page","type-page","status-publish","hentry"],"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/pages\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=242"}],"version-history":[{"count":83,"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/pages\/242\/revisions"}],"predecessor-version":[{"id":557,"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=\/wp\/v2\/pages\/242\/revisions\/557"}],"wp:attachment":[{"href":"https:\/\/ooh-sounds.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}